Category Archives: News

Review: The Philadelphia Jewish Voice

I’m deeply moved by this thoughtful review by Rabbi Goldie Milgrim in the Philadelphia Jewish Voice.

Judith Claire Mitchell’s novel A Reunion of Ghosts leverages bitter ironies about the scientific and intimate lives of Fritz Haber and Albert Einstein to build a profoundly engaging work of high literary quality. Books by the generation after the Holocaust, often descendants of survivors, so-called “second-generation” Jews, are being published almost daily. The deft approach in this novel offers us a gift–that of fiction as a way of considering the effect of the Holocaust on contemporary lives. There is also savory dark humor which serves to keep the reader from sinking into a severe depression at the sad condition of the lives of these New York City sisters.

Mitchell’s skillful imagining of dark, difficult, severely self-occupied inner lives for three of Haber’s imagined descendants turns upon a multifaceted approach to the Biblical precept tattooed upon the ankle of one:

“For I, the Lord, your God, who visits the sins of parents upon children, upon the third and upon the fourth generations of those that hate me.” Exodus 20:15, see also Numbers 14:18

In A Reunion of Ghosts, the endless debating of Biblical scholars and polemicists about which generations these might be — Biblical or through the present, matter not, for the main characters—three middle-aged New York City sisters, do not appear to be aware of the end of the verse: “of those that hate me.” Or, perhaps they reason that anyone whose science gets appropriated for committing genocide is going to sire subsequent generations with afflicted lives. Or, is being the recipient of self-absorbed parenting a sufficient rationale for endless misery? Do descendants of compound debacles have the right to end their own miserable lives? This possibility is a strong narrative line in the text. Would, or would not, such a choice be “God’s hand” in action?

Judaism has strong views on suicide, we are not given the right to take our own lives. Life begins once our head has emerged from the birth canal and the first breath has been taken. Now in halachah–Jewish law–  there is a category of ethics that is l’hathillah—the reigning principles for a good life. B’di-avad—-after the fact, an act such as suicide is viewed as caused by mental illness, e.g. severe depression. That said, save for the shiva ritual of a week of mourning, these sisters show little knowledge of their Judaism–save for the gruesome history of their family and the impact of their grandfather’s legacy upon the Jewish people and others murdered by gas of warfare and gas chambers created by Haber. Perhaps the sisters contemplate the unimaginable because the sages, as statistics show, were correct: In families where there is a known suicide, far more are likely to occur. You may recall this concept is central to the the movie Yentl, as this was the reason one of the characters was not marriageable. Apparently, Jewish sages’ transmitted through Jewish practice their observation that suicide can carry on as a trait in future generations.

A Reunion of Ghosts by Judith Claire Mitchell is beautifully-written fiction with a unique style that is compelling through every dark moment. This sad story will also facilitate study of the depths of Jewish tradition on such topics as death, suicide, guilt, innovation, the Holocaust. It will lead Jewish educators to consider whether we communicate the principles of Judaism effectively. Contemplation of whether the Jewish people’s evolving relationship to Torah is divine enough to stay our hands from murder of self or other sore souls is almost inevitable in the wake of A Reunion of Ghosts.

Excellent also for university and book group settings, A Reunion of Ghosts will retain that rare place on the shelves of potential posterity.

 

The UW-Madison MFA Program

Thank you, Robin Tung, for giving me the opportunity to talk about our wonderful University of Wisconsin’s MFA program on the Affording the MFA blog:

Interview with Judith Claire Mitchell of University of Wisconsin

judy judith claire mitchell wisconsinJudith Claire Mitchell is the author of the novels A Reunion of Ghosts and The Last Day of the War. Her stories and poetry appear in anthologies and literary magazines such as Best of the Fiction WorkshopsShaping the Story, Behind the Short Story, Barnstorming, The Iowa Review, Prairie SchoonerStoryQuarterly, and others. She has received fellowships from the James A. Michener and Copernicus Society of America, the Wisconsin Institute for Creative Writing, and the Wisconsin Arts Board. She currently teaches and serves as Director of the MFA Program in Creative Writing at the University of Wisconsin.

Robin Tung: What sets Wisconsin’s MFA program apart from other programs?

Judith Claire Mitchell: We carefully designed the program to stand out in three ways. First, we deliberately kept the program small so we could provide our students with very close mentoring. Our student/faculty ratio has always been 2:1. We also insisted that all our students receive equal financial aid in an amount sufficient to prevent the need for student loans. From the start we made it clear we’d rather not have a program than to have a program that caused our students to go into serious debt. Third, we wanted all our students to receive formal training in pedagogy and professional practices and to have the opportunity to each creative writing.

We also have what at first may seem like a bizarre admissions process—we admit poets in odd-numbered years and fiction-writers in even number years—but this alternating process allows faculty to focus on only one cohort of students in a given genre from the day that cohort arrives in Madison to the day it graduates from the program. As a result, the faculty gets to know and respond to each student’s individual strengths, weaknesses, interests, and goals, as well as to each student’s unique learning style. We form cohesive communities here, but we also pay a lot of attention to each individual in that community.

Finally, I think it’s accurate to say that we’re a very warm and supportive program with a diverse faculty that likes each other and likes our students. We form lasting relationships with many of our students, and while we challenge them while they’re in our classrooms, we also take great pride in all of them and care about their well-beings. It’s a pretty wonderful community.

RT: What is funding like for this or next year?

JCM: This year each student has been guaranteed $20,000 per year in teaching stipends, grants, fellowships, and prizes. In addition students receive the same health benefits as the faculty. We expect the funding will be the same or better next year.

RT: What are your admissions rates? How many applied last year and how many were accepted into each genre?

JCM: Because we admit poets and fiction writers in alternating years, let me give you the most recent statistics for each genre. We’ve just admitted our newest class of 6 poets, who were selected from about 300 applications. The year before was a fiction year, and we received about 650 applications for our 6 spots. These numbers have been pretty consistent over the past several years and seem to suggest that if we admitted poets and fiction writers in the same year we’d be receiving about 900 applications per year for 12 spots.

RT: What does the committee look for in a candidate?

JCM: During the admissions process, it’s all about the writing sample. We pay little attention to anything else. We like work that surprises us (which is different from work that attempts to shock us). We like work that demonstrates an interest in language, and that suggests the author has or is capable of developing an original and compelling voice or point of view. We are also drawn to work that suggests a willingness to experiment and take risks. It’s our hope that our students will evolve both artistically and intellectually during their two years with us.

RT: Does Wisconsin’s program have a particular stylistic or form leaning (traditional vs. experimenta)?

JCM: Not really. Most of us change the readings we assign every semester. One of the best things about our being such a small program is that we can determine the interests and needs of each cohort and shape our curriculum accordingly.

RT: What advice would you offer applicants during the application process?

JCM: I would tell them to put most of their energy into their writing samples, and then I’d urge them to stay away from the anxiety-generator that is the MFA Draft page on Facebook. The Draft page is a great place to learn about the various programs that exist out there and to make connections, but when people start posting their acceptances and rejections it seems to drive normally self-possessed human beings into frenzies and tizzies. Down with tizzies, I say! Step away from the computer. Go write a new story or a sonnet circle. Or, if you’ve applied to our program, write to me and let me talk you down.

RT: How are alumni faring post-MFA?

JCM: Pretty well. Our folks do well in terms of publishing their work, getting teaching and other writing-related jobs, and nabbing post-MFA fellowships. We have a Facebook page where we post alumni news and people are always marveling at how active it is. At the same time, while we hope our students become successful writers—in whatever way each individual defines success—and we have always included a professional practices component in our program, we still hold the belief that an arts degree’s purpose is to nurture artistic development, not necessarily to lead to fame and fortune or even to a stable career.

RT: What is your own writing process like? And what advice do you have for new writers?

JCM: Ah—I can answer both those questions in a single sentence. My advice for new writers is that they avoid having a writing process that’s anything like mine. My writing process is horrible. During semesters I tend to prioritize my students and administrative work, and I have a very hard time sticking to a daily writing routine. When I do get to my own work in the summer I’m slow as a snail. My advice to new writers is to do the opposite of what I do. Set aside a sacrosanct period in which nothing but your writing takes place. Also, read. Read a new book every week.

 

Review (with a cherry on top): BookRiot

Thanks to BookRiot for naming A Reunion of Ghosts one of The Best Books of 2015 So Far. They say of it:

Mitchell’s novel is an exploration of unintended consequences and the burdens of well-mapped bloodlines, brought together in a perfect confluence of humor and despair. Its narrators are the Alter sisters, three intelligent, tragedy-plagued women bound together by antiquing family regrets and a suicide pact. The book becomes their farewell. They detail generations of family triumphs and mishaps, recalling loves gone awry and lamenting the regrettable best-of-intentions invention that brought Germany one step closer to Zyklon B. Mitchell’s book made me laugh (right before religious services!) and cry, and will remain distinct in my memory as a rare novel that deals with huge historical events–the Holocaust, pogroms–without becoming either tedious or cloying. This novel is a surprise and a treat.

There is also an earlier review, naming Reunion a best book of June 2015 here.

Earphones Award

actor_19919365_kirsten_psThanks to voice actors Kirsten Potter and William Charlton, the audio-book edition of  A Reunion of Ghosts has received an Earphones Award from AudioFile Magazine.  The prize is awarded to “truly exceptional titles that excel in narrative voice and style, characterizations, suitability to audio, and enhancement of the text.” Here’s what AudioFile has to say about Reunion:

Kirsten Potter captures the Alter sisters in this skillfully written, quick-witted novel. With her well-modulated tones and even pacing, Potter’s portrayals of sisters Lady, Vee, and Delph Alter, with their tight family bond and inherited guilt, are distinctive and energetic. Listeners will empathize with the family’s history of suicide as well as their humorous approach to life and its many coincidences. William Charlton delivers the final section, from the point of view of Danny Smoke, the Alter sisters’ cousin. An eclectic mix of fictional characters and historical real-life people, such as Albert and Mileva Einstein, Frank Zappa, and Allen Ginsberg, are involved with the Alter family. With engaging narrators and an intriguing story, listeners will be spellbound to the very end. S.C.A. Winner of AudioFile Earphones Award © AudioFile 2015

Review: Mademoiselles De Mode

What do the ubiquitous Gone Girl, the middle-school novel Stolen Voices, and  A Reunion of Ghosts have in common? I’d have answered, “Nothing much,” until I saw this month’s Mademoiselles De Mode. So now I know that they are that Dutch magazine’s three must reads for summer.

Given that my Dutch is non-existent, I ran the review through Google Translator. The take-away line says, “This is a special book that is both interesting and unlike any other.” And I also learned that in Dutch “Vee,” the name of one of my main characters, apparently means an animal raised for meat, leading to sentences throughout the review like, “Three sisters, Lady, Livestock, and Delph, wish to commit suicide” and “One of the sisters, Cattle, is dying of cancer.” No wonder why Vee is so moooody.

Okay–that was even too awful for me.

Sisters, Sisters…

…there were never such devoted sisters…

15famoussisters_2That line, sung by the Haynes sisters in Irving Berlin’s White Christmas, was supposed to be one of the epigraphs for A Reunion of Ghosts, but the hassle of gaining permission to use those 8 little words dissuaded me. Instead, I use them here as I thank Off The Shelf for including Reunion on its list of 11 Novels That Explore the Beautiful and Complex Bonds of Sisterhood. Other authors on the list include Margaret Atwood, Barbara Kingsolver, Karen Joy Fowler, and my fellow-panelist of a few weeks past, Cathleen Schine. I will never stop being blown away by seeing my name listed with writers of such renown and talent.

 

Women Writers Panel in Appleton

Thanks to Holly Hamblin for inviting me to be one of the four women writers participating in the Appleton Barnes & Noble Women Writers event this afternoon. Andrea Lochen, Melissa Falcon Field, Jessamyn Hope, and I fielded audience questions about our work and the writing process for almost two hours. I kept waiting for audience members to tiptoe away (I mean–two hours!) but not only did everyone stay until the very end, new people kept joining us.

Here are the four panelists standing in front of a table laden with all our books.

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Library News

slices3_01Many thanks to the members of the Mississippi Library Commission who have included A Reunion of Ghosts in the MLC’s list of the best adult novels of 2015. The full list is available on the MLC’s pinterest page.

And meanwhile, over at the Richmond, Virginia Public Library, there’s this little reivew, which made me laugh:

A Reunion of Ghosts by Judith Clare Mitchell

Overheard at the library:
“Natalie said it really picks up after the first suicide.” –Kerry P–

(It’s funny ‘cuz it’s true.) This book takes a bit to really get rolling but given a chance this darkly comic tale of a suicide pact between sisters is certainly worth your attention. Written as a sort of joint suicide note/memoir/confessional penned by the three childless Alter sisters, this is a  marvelously witty multi-generational family saga about the “Alter curse,” from late 19th century Germany to New York’s Upper West Side today, loosely inspired by the life of the German-Jewish scientist who invented Chlorine gas.

 

The Sensuous Novel

The other day I was asked to suggest a menu for book clubs wishing to serve an A Reunion of Ghosts-themed dinner. Today I came across a perfume blog called Now Smell This that was asking readers to recommend not only good books but the appropriate scent to wear while reading them. The first reply suggested indexscents for both Reunion and my first book, The Last Day of the War:

I recently finished two books by Judith Claire Mitchell. “A Reunion of Ghosts” is a semi-historical novel (based loosely on a real family but with some of the details changed). The main characters are three sisters living in New York City, and I’m not sure what perfumes they would wear but something strange and bleak would be appropriate for reading it. Dune, maybe, or Patchouli 24. I liked it so much I went back and read her first novel, “The Last Day of the War,” which is about Armenian immigrants to America—so definitely Bois d’Armenie for that one.

This made me recall an article published in The Atlantic‘s 2005 fiction issue entitled “Writers and Mentors,” in which the author Rick Moody suggested that writing students analyzing their peers’ fiction try to answer the question, “If this story were music, what kind of music would it be?”

Taste, smell, sound, and sight. Throw in a tactile jacket and you’ve got all five senses. Wanting to engage so fully–so sensuously–with books seems more than frivolity to me. It seems to be a means of literalizing the experience of imagining the world of a book. In our imaginations, after all, the symbols on a piece of paper have dimensionality.  We hear the explosions of a cannon, we smell the burning fires that are simply described via squiggles on the page.

Anyway, that’s what I’m thinking about today while wearing the scent of Whatever Bar of Soap was in the Shower.